The artworks comprising the series "Reverse " (2016-). It's the gesture of turning museum's the clothes inside out symbolically invokes the possibility of a different reading. Using the convention of museum photography – a gray background, neutral light – teh images incorporates into the sphere of objective record. However, the pictures do not fit into well-known historical narratives. The gesture of turning the clothes inside out symbolically invokes the possibility of a different reading. Historical costumes collected in museums often become the setting for a simplified picture of the past or an image focused solely on aesthetics. But there is also the "other side", often overlooked and absent. The external side builds and preserves historical meanings, while the inside releases the voices of things that were not to be represented. The photographs were taken in Poland, Belarus and Russia.
Reverse 8 (Józef Piłsudski's uniform jacket, National Museum in Cracow), 172cm x 140cm, 2016, photography
Reverse 14 (festive dress from Upper Silesia, Racibórz region, 1930s), National Ethnographic Museum in Warsaw, 178cm x 140cm,2017, photography
Reverse 5 (uniform worn by Jadwiga Nowak-Jeziorańska, 20th cent.), The Warsaw Rising Museum, 182cm x 130cm, 2017, photography
Reverse 1 (traditional Łowicz dress, Złaków Kościelny, 1930s), National Ethnographic Museum in Warsaw, 165cm x 130cm, 2017, photography
Reverse 24 (attire of a shamaness, Siberia, Yenisey Province, 19th/20th cent.), Russian Museum of Ethnography in St. Petersburg, 173cm x 131cm, 2017, photography
Reverse 24 liturgical vestment, The Naval Cathedral of St. Nicholas and the Epiphany in St. Petersburg, 19th/20th cent.), The Hermitage Museum in St. Petersburg, 173cm x 131cm, 2017, photography
Reverse, PF Gallery, Poznan, 2016
Backstage studio, Russian Museum of Ethnography in St.Petersburg, 2016
Backstage studio, 2016-2018